Cover Photo

Cover photo: Waterhouse – Joe Paffoon

A monument sign delivers a much different look and message than a sign panel mounted between two posts. The additional mass of its… Read More

Cover photo: Stor-All Warehouses – Chester Cunningham

Back in the late 1970s and early ’80s, you couldn’t talk about sign design in a sign shop for very long before Chester… Read More

Cover photo: The Bake Shop – Adam Straus

Sometimes a high school job can lead you to a lifelong career. That’s how it worked for Adam Straus, whose high school co-op… Read More

Cover photo – Schnitzels – Noëlla Cotnam

Cut-out letters can transform the building itself into a sign, turning the building into the background. Individual letters are a popular way to… Read More

Cover photo: Fortified Tattoo – Alex Kurakake

It goes without saying that the primary message on a sign should be obvious. Make that “really obvious.” Bob Behounek likes to devote… Read More

Cover photo: Twist – David Hassan

You don’t have to look very far these days to see the latest trend in graphic design. You’ll find very clean, very simple… Read More

Cover photo: The Quarterdeck Restaurant – Vince Brodeur

The cover story of the first issue of SignCraft back in 1980 was a feature on the signs of Sanibel Island, Florida, and… Read More

Cover photo: Steakout Saloon – Dan Seese

Dan Seese, Dan Seese Studios, Fort Collins, Colorado Looking for a quick idea for that next layout? It could be waiting for you… Read More

Cover photo: Trustworthy Fire Safety – Phillip Newell

Designing cool signs—make that “effective cool signs”—has always been the draw for Phillip Newell. He’s  spent the last 20-plus years creating signs and… Read More

Cover photo: Red Oaks – David Hassan

Not every sign advertises a business, announces a sale or tells folks where to park. Some are nameplates for a residence, be it… Read More

Cover photo: Coffee Shop Closed – Lane Walker

Lane Walker [Solo Signs, Reno, Nevada] lettered this showcard decades ago, but it’s a classic example of the beauty of simplicity—a one-color sign… Read More

Cover photo: Ireland Orchards – Mike Barber & Gary Wheeler 

One way to create a unified design is to let the elements bump or overlap each other. Sometimes it is simply the tail… Read More

Cover photo: Sairee Cottage Diving – Rob Cooper

Transparencies can be an easy way to sneak a logo or graphic into a sign without adding too much clutter—fish or coral for… Read More

Cover photo: Villages of Mill Bayou – Joe Paffoon

One way to increase the mass and overall visual impression of a sign is to mount it on columns instead of posts. A… Read More

Cover photo: Prairie Memorials – RT Signs

The code words for this are “negative space.” It refers to the space around each letter, each word, each message group and the… Read More

Cover photo: Alpine Coachworks – Rob Cooper

When Rob Cooper left Miami for his native New Zealand (and ultimately to Thailand) around 2000, he had to travel light. One of… Read More

Cover photo: Navajo Cement – Bob Behounek

One of the tools Bob Behounek uses in his great-looking sign designs is the color wheel. It’s essential to a good understanding of… Read More

Cover photo: Robert Frost Footwear – Bruce Janssen

3D letters can add a lot to a sign, but a carved graphic or better yet, an actual sculpture, can really make a… Read More

Cover photo: Back Porch Seafood House – Joe Paffoon

PVC board is a great material for sign making—for letters, sign panels, cabinets and even monument structures. It’s durable, easy to work with… Read More

Cover photo: Norfolk Electric – Randy Howe

Many customers choose a generic name for their businesses, but by the time they arrive at your shop, it’s too late to suggest… Read More